To this end, the new version 3 includes features such as AAF import/export and integration with video editing systems. Just curious mostly, I’m still pretty new to Nuendo, but I’ve used most of the stuff out there and in MHO, for mixing Nuendo can’t be beat.Nuendo 3 in all its splendour, showing an imported OMF file from Avid Xpress Pro, the new, resizable Quicktime Video Playback window, and a slightly more polished, professional-looking user interface.Īlthough it includes all the features of Steinberg's Cubase SX3 MIDI + Audio sequencer, Nuendo is targeted at the post-production market.

Like you said, some could bounce out stems and master in another program. Right now, I’ve been bouncing the mix and using Samplitude and want to make sure there isn’t a better way. I guess my question was a little open, huh? I was just curious what people do if they master in Nuendo or just bounce the mix and master in another program like CD architect. Is this what you’re asking, or am I completely missing the point? Apologies in advance, if so. So, when you ask how mastering in Nuendo would work, just what do you mean? Bounce your tracks, import them into Bias Peak, WaveLab or Jam to create a sequence and go? That’s a basic, no-frills or special extras approach. “Mastering” means so much more (and less) than it used to… mostly don’t have to worry about needles jumping out of the groove anymore sometimes there’s actual stem mixing involved… sometimes aligning multiple wild sources for live stuff… it all depends on what exactly you’re talking about, mastering-wise. Cambridge for sonic microsurgery, Pultecs, various compressors. The combination of Nuendo and UAD-1 has been great for me I basically set up a couple of group channels for insert FX, and use the master bus (never to leave unity gain) for metering.

Steinberg nuendo 3